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Situs ini punya 1 jawaban mengenai Mention 5 types of story openings. Monggo pelajari cara menjawab selengkapnya di bawah:
Penjelasan:
1) Scene-setting.
It is the most common way to start any story. This allows us to know the characters and the settings first.
For example-
"Jarvis stretched himself as luxuriously as he could in the cramped general quarter of the Ares. 'Air you can breathe!' he exulted. 'It feels as thick as soup after the thin stuff out there!'" — Stanley G. Weinbaum, "A Martian Odyssey"
2) The conflict establisher.
It is a sort of situation when character of story gets to know that he/she is in trouble. It creates a nice sense of urgency, and then you can go back and fill in the details once people are on board with the fact that exciting stuff is happening.
For example-
"I slammed the door in the child's face, a horrific scream trapped in my throat." — Nnedi Okorafor, "On the Road.
3) The mystifier.
As the term mystifier prefers, a little of mystery or in sort a particularly baffling problem that is said to have a correct solution.
At first, it doesn't entirely make sense, because it refers to stuff we don't know about yet. Or it throws us into a situation without giving us all the pieces right away.
For example-
"There is a magic shore where children used to beach their coracles every night." — Sarah Rees Brennan, "The Spy Who Never Grew Up.
4) The Third Person Narrator Speaks to You.
If your story has an especially chatty third-person narrator, you can start off by having the narrator explain something directly to the reader, often in the second person. Perhaps the narrator can tell us some useful information, that helps us to get intrigued about your story.
For example-
"Being assigned to The Head for eight hours was the worst security shift
you could pull at the museum." — Elizabeth Hand, "The Maiden Flight of
McCauley's Bellerophon"
5) The First Person Narrator Speaks.
This is sort of similar to the previous one, except that instead of the third person narrator explaining, it's the first-person narrator saying something reflective, that almost makes the story feel like a personal essay.
For example-
"I remember the future. The future was glorious once. It was filled with sleek silver spaceships, lunar colonies, and galactic empires. The horizon seemed within reach; we could almost grasp the stars if we would but try." — Michael A. Burstein, "I Remember the Future"
6) The Quotation.
In journalism, there's a bit of a taboo on starting an article with a quote. But that doesn't really apply to fiction, and people sometimes do start a story with a quote, hanging on the first line by itself. If the quote is intriguing enough, it compels you to find out who's speaking and what they're talking about.
For example-
"'Who makes the roads roll?'" — Robert A. Heinlein, "The Roads Must Roll".
7) The Puzzler.
Why choose between establishing conflict on the one hand, and mystifying your reader on the other? You can do both — with an opening that sets up the conflict of your story succinctly, while making your reader guess at what the Hell is going on.
For example-
"He found the girl crouched in a ditch by the side of the deserted road, using a jagged rock to try to sever the muscled cords that connected her heart to her body." — Susan Palwick, "Sorrel's Heart"
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